I love playing the piano (and pretending I can play the trumpet), with a particular preference for classical music and jazz. Below are some recordings.
Mix project "Napoli-Rio" |
Stella by starlight |
Leibniz rule
Musica est exercitium arithmeticae occultum nescientis se numerare animi.
"Ah, Garibaldi che hai fatto!": Thoughts on art and technology
Both art and technology have the ability of generating disruptive innovation, introducing new artistic movements, industrial products, methodologies, and practices that fundamentally transform the world we live in. Impressionism and electric lights are just two examples of artistic current and technological invention, respectively, that radically changed previous practices in painting and everyday life.
The choice of these two examples illustrates also another aspect of art and technology, namely their interplay. The proliferation of electric lights through Paris in the Belle Époque transformed the scenery that avant-gard painters depicted using novel techniques that were able to capture both the excitement and the anxiety of modernization. The "Bal du moulin de la Galette" by Pierre-Auguste Renoir, shown in the figure above on the left, prototypically embodies the reciprocity between art and technology.
More active attempts to explore the space where art and technology intersect gave birth to several artistic movements, ranging from dadaism—embodied in the original unbranded Italian moka pot1, shown in the figure above on the right—to the more recent digital art and generative forms of art. Among technologies that have significantly shaped our lives there is robotics, concerned with the design and operation of intelligent autonomous machines. Intelligence in robotics has been traditionally intended as algorithmic2, but increasingly more attention is now being given to creative processes originated, aided, or just involving robots.
1"E allora pure chesta è un'opera d'arte." (Neapolitan which translates to "Then this is an artwork too."), from the movie "Il mistero di Bellavista" (1985), written, directed and starring the 21st century Neapolitan philosopher, and engineer, Luciano De Crescenzo (Napoli, 1928-2019)
2Roger Penrose, "The emperor's new mind: Concerning computers, minds, and the laws of physics.", Oxford University Press, 2016
When I was younger, I used to love cycling uphill just for the fun of then riding fast downhill drifting into a turn after the other. After risking my life too many times, I am now starting to really enjoy the fatigue of the climb for the sake of it, followed by a peaceful panoramic descent.
Here is the timelapse of a fantastic tour on the Sorrento peninsula and the Amalfi coast done in the Summer 2016.
And below are the tracking data of a couple of recent nice tours touching the highest peaks of the Parco Regionale dei Monti Lattari.
Despite the titles, most of them are both non-technical and a lot of fun!
Quotation is a serviceable substitute for wit. — William Somerset Maugham
Sed quomodo poterimus amare mundum si amamus Deum? Duo sunt amores: mundi et Dei. Si Dei amor habitet, non est qua intret amor mundi. Recedat amor Dei, et habitet amor mundi. — (almost) Saint Augustine
Il saggio è colui che quando ha sete e beve sente l'acqua fresca che gli scende per la gola e pensa: “Oh quant'è bello bere”. — Luciano de Crescenzo
Tensio condensatoris saltus non facit, Natura nemo scit. — Anonymous, but was used by many to justify their work and life
La migliore non c'è. — Totò in Eduardo Scarpetta's Miseria e Nobiltà
[...] in questo universo globalizzato in cui pare che ormai tutti vedano gli stessi film e mangino lo stesso cibo, esistano ancora fratture abissali e incolmabili tra cultura e cultura. Come faranno mai a intendersi due popoli di cui uno ignora Totò? — Umberto Eco
Come è possibile far capire a un contadino dell'Arkansas cosa vuol dire “Sono un uomo di mondo perché ho fatto il militare a Cuneo”. O ancora: “a prescindere”, “eziandìo”, “mi scompiscio” o “tomo tomo, cacchio cacchio”? — Luciano de Crescenzo